Sunday, May 8, 2016

Against the Current - Gravity EP (2014) + Wasteland (2016)

Martin Männik






One may think that the age of garage bands are over and the only way to get recognition is to audition for Xfactor or American Idol, but hold on! There’s also Youtube, that’s perfect for unknown bands to get the recognition they deserve. All you need is a camera, a microphone, a laptop and a good song and you’re good to go. That’s exactly how New York’s trio Against the Current did it. In 2014, they uploaded their first EP “Gravity” to Youtube. EP features six songs, that try to bring the borders of rock and pop closer together and is filled with strong emotions. Against the Current is one of these bands that you don’t quite get at first. When listening the EP for the first time, one may not think much of it, but something brings you back to it again and again. All songs on the “Gravity” EP have a weakness – somewhat dull verses, but that’s not bothersome, since they have extremely catchy and powerful choruses.

The EP begins with the track “Gravity”. That is the song that got the band a wider recognition and allowed the band to quit their jobs to pursue the music career. Soon after the release of the song, the band was touring all over the US and Europe. The song starts out with a grungy guitar riff and drum beat that are backing the vocals. Listening to the verse brings “High School Musical” to mind with its simplicity and cliché lyrics about teenage love. However, when the chorus hits, it hits like a hammer and it’s a completely different story. One has to double-check, that it’s Chrissy Costanza, and not Hayley Williams of Paramore, that’s singing. The timbre and the power of the singer’s voice on the higher notes may confuse any listener, that isn’t a fan of the either band.

Rest of the tracks on the EP are standing in the shadow of “Gravity”, since that is the song everybody wants to hear on their live performances.

However, more recent news about Against the Current is that they will be releasing their first full-length album on 20th of May 2016. The album will be called “In Our Bones” and they have already released three of the songs as teasers of what is yet to come. Here’s one of the songs – “Wasteland”:





When artists stop experimenting with different genres and styles and find something that suits them - that’s when the good stuff is created. That is exactly what Against the Current has done. After almost two years since the release of their “Gravity” EP, the band has stayed true to their pop/rock combo and the result is “Wasteland”.

“Wasteland” has shifted the band’s genre focus slightly towards pop, but rock elements are still clearly present. The verse and pre-chorus are made much more interesting and unpredictable with vocal dynamics. They have also used the old trick of build-up after the first chorus that gives you the concept of “here it comes”, but instead, a regular verse goes on. Furthermore, the chorus doesn’t hit like hammer this time. However, the instrumental part after the second chorus drops a very powerful mix of different effects and sounds, and the outcome is awesome if you have a sub-woofer or good headphones at home.

The outro features the same instrumental part and adds this to the chorus. The outcome is a bit too much of everything in one part of the song, however a good song should have some kind of culmination.

In conclusion, it is good to see that the band has matured a bit in these two years since the release of “Gravity” and has collected a lot of experience on and off stage. A lead singer with a powerful voice and a good songwriter make this band one to watch. If they can keep this up and don’t stray from their path, the trio will go far. Their upcoming debut album will show, if the rest of the album keeps up with their pre-released sneakpeek.

Of Monsters and Men - My head is an animal (2011)

Martin Männik



When Of Monsters and Men was first formed in 2010, Reykjavik, Iceland, nobody could anticipate such success for the group. It all began when lead singer and guitarist Nanna Bryndís Hilmarsdóttir and her friend Brynjar Leifsson who plays an electric guitar, decided to form a band. Soon after they met Ragnar Þórhallsson, who also sings and plays acoustic guitar, and drummer Arnar Rósenkranz Hilmarsson. Together they went on and won Músíktilraunir in 2010, an annual battle of the bands competition in Iceland. After that two more members – bass and keys, joined the band.

It was not long before the group produced their first single “Little Talks”, which was a huge hit. The single alternates male and female vocals, which meet at the chorus and merge into a perfect chemical reaction. Single also features trumpets and with six members, the band may look like a small orchestra, but still they manage to keep the mix of many different sounds light and catchy. It was “Little Talks” that received radio-air play and got the band worldwide recognition.

In 2011, the band released their first full-length album “My head is an animal”. After the album kicks off with “Dirty Paws”. The song starts with delicate guitar plucking, what is soon joined by Nanna’s and Brynjar’s soft vocals. Just as the listener starts to think that this is one of those pleasant guitar melody and vocals duos, the drummer kicks off and the song picks up the pace. The opening song is followed by “King and Lionheart”, which, as the title suggest, is a song about valor and bravery. The lyrics were written by Nanna for her little brother, telling him that they will always have each other’s backs. Again, it opens with vocals and strumming of the guitar, but others quickly join in and make your foot tap along with the drum beat.

At this point, as the album progresses, it is clear that its strengths are perfect blending of the vocals that complement one-another, catchy melodies and mysterious lyrics. Throughout the whole album, an array of Nordic features are quietly served to the listener in the background, such as howling wind, creaking sounds, but also snow and Viking heraldry in the videos. Even most of the lyrics make you imagine a fairytalish (if that’s a word) land with brisk weather, tall mountains and different creatures. It almost feels like the band has written melodies for Icelandic folk tales and sings them out. The album screams Iceland in its every aspect. For example the album’s first track “Dirty Paws” was used in the movie “The Secret Life of Walter Mitty”. The song was used as a background track for a scene, where Ben Stiller rides a bike on a lonely road in the middle of Icelandic wilderness, and the combo felt so right, that not even Björk could have pulled that one off.

In conclusion the album “My head is an animal” is an impressive debut. It’s full of emotional lyrics, dynamic vocals, mysterious but beautiful instrumental sounds and melodies. It’s one of those albums that sound good played live in front of a huge audience, but sound even better whilst sitting around the campfire at night. Indie-folk seems to have picked up and gaining popularity and the bands of that genre seem to have reached wider audiences.

Monday, April 25, 2016

Archive – Controlling Crowds (2009)

Martin Eisenschmidt



Controlling Crowds is the sixth studio album of the British trip-hop progressive / alternative group Archive which was released worldwide on March 30, 2009.
The album is divided into three different parts and the group originally wanted to also include a fourth part, which was later released as “Controlling Crowds – Part IV” on October 19 of the same year.
As the album is divided into parts by Archive, it is arguable they tried to tell a story with the album. The name of the album, the lyrical content and the music, all invoke a feeling of an Orwellian dictator society. The first song already starts with a very repetitive synth that feels just a little uneasy yet mesmerising.
Repetition is actually a fairly important tool, which Archive employs in many of their tracks, to further advance the Orwellian theme. In the song Bullets, during the final parts of the song, the lyrics start repeating the words “personal responsibility”, yet after a while the lyrics have changed to “personal response insanity”. In the track “Dangervisit”, while the background vocals repeat “Feel, trust, obey”, the main vocalist starts singing “swing your love, swing your love, swing your love, swing it” which changes into “sleep along” (sounds like a play on the classic remark “wake up sheeple!”, whenever conspiracy theories are talked about). The changes were so subtle, that they escaped me during my first listens.
Musically, Controlling Crowds ranges from progressive rock tracks to your stereotypical hip-hop background tracks to ambient ballads. It is definitely not an easy to listen album, as it requires you to pay attention to really appreciate and notice the changes and additions to the mood and ambience the group tries to make. This is further made more difficult by the fact that the average track length is about six minutes (ranging from 3.5 minutes up to 10 minutes) and many tracks employ musical repetition to build said atmosphere and to hide the changes made to it. This means, that while listening to the tracks as a background music while walking or driving, it is hard to appreciate them all, yet some songs have a haunting enough theme to still be stuck in your head long after you have stopped listening.

Friday, April 22, 2016

Go crazy, punch a higher floor (FURTHER UPDATED)

I did announce a session at the end of our last meeting but this change of plan is quite obvious - for next Wednesday, let's read Simon Reynolds on Prince...

...and here's some listening to go with it


Also, a different, technical angle by Tom Moon.

NEW! Nestor ja Morna (or this time solely Nestor) presented this selection of rare&unreleased tracks + Prince's 1984 birthday live. And here's more on Camille by Derek Walmsley.

Monday, April 4, 2016

Stop me if you've heard this one before (UPDATE: blind test tracklist, 6 April)

Here's a sprightly little teaser for this week's blind listening session - left that one out as it's probably not that hard to date (and the artist's name might not ring any bells at all) but that eclectic obscure album is well recommended. By inference - the session itself will mostly contain a few big acts doing something rather out-of-character...





...such as...

1) Paul McCartney - Ou Est Le Soleil ("Figure of Eight" SP B-Side, 1989, also on some of the deluxe editions of this album):



(YouTube also has a video clip version but with end cut)


Non-English continued with
2) Gwenno - Stwff ("Y Dydd Olaf" 2015 - did I mention that the album was inspired by Welsh cult sci-fi novel?)


Staying (kind of) Celtic with this one:
3) Chris De Burgh - Sin City ("Far Beyond The Castle Walls" 1974)



Then changing continents:
4) Toyomu - スメケに逢いたい ("Imagining "The Life of Pablo"" 2016 - Kanye West's Arthur Russell-sampling "30 Hours" being imagined allegedly without hearing the... pro-riginal?)


One your parents might know (though unlikely by this track):
5) Czesław Niemen (N. AE) - Mleczna Droga ("Katharsis" 1976)



Staying in Eastern Bloc with an Olympic disco cameo from a UK Christian band (click for back story and the link to the song):
6) Living Sound - Olimpiada-80 (1980, also available on "Давид Тухманов. Звездная песня неба" 2006, which also includes this better-known hi-nrg version)


A different kind of epicness:
7) Bo Hansson - The Black Riders & Flight to the Ford (De svarta riddarna / Flykten till vadstället)  ("Music Inspired by Lord of the Rings" 1972)




More synth wizardry by an erstwhile Frank Zappa sidekick, latterday jazz/funk/disco king:
8) George Duke - Nigerian Numberuma ("The Inner Source" 1973)




 ...and the closer, Russo/Estonian lounge with Maria Faust connection:
9) Dzuma – Lift Porno ("Dreambox" 2002) is not available online yet, so I'll play it in my Fantaasia radio show on Friday 10 pm, Klassikaraadio, consequently providing the link to it... (the video on YouTube is mistitled, it's actually "Letter From Tokyo" from the same album)

Friday, March 25, 2016

Overrated?

Do music's "sacred cows" need butchering or will they outlive all hapless toreros? For our 30 March session, some stabs from the NME blog:

The Beatles 'Sgt Pepper's Lonely Hearts Club Band'
Full album:





Bob Dylan
(This is an artist profile rather than a record review, but HERE you can test the statement that his songs are better when covered)


Nirvana 'Nevermind'
Full album:


Radiohead 'OK Computer'
Full album:

Saturday, March 12, 2016

He bangs (UPDATED)

Let's read this Rolling Stone selection of Lester Bangs reviews for our 23 March session (note that there are two pages and it's best to start from the bottom of page 2, with the earliest ones), plus this encore from the Village Voice.

Observe his judgments, comparisons, tone and values - and of course, take time to listen to some of the music he reviews. And if you haven't seen it yet, you might want to check out his portrayal in "Almost Famous" - too long to show in class but viewable here (it takes a few clicks on the arrow in the middle, and ignore the popup ads).

And hear him banging on:







Wednesday, March 9, 2016

Blind test tracklist, 9 March

1) unknown performer(s), Track 1, Kmart tape, October 1989

2) Ratkiller, Reflection on Class, Odor Orienting 2016

3) Viru Trio, Uue maailma ma loon, 1987 (available on Tahan olla veel moes 2014; backing track programmed by Stanislav Rubintsik on Yamaha CX5M)

4) J Geils Band, Detroit Breakdown, Nightmares...and Other Tales from the Vinyl Jungle 1974

5) The Space Lady, Born To Be Wild, 1990 (available on The Space Lady's Greatest Hits 2013) NB! In Tartu this Sunday!

6) Louis Philippe, Yuri Gagarin, Yuri Gagarin 1989

...and a bonus track which I didn't have time to play but which would have made pretty much of a full circle back where we started from: Sweet People, Et les oiseaux chantaient 1978. By an obscure Swiss group, it became UK Top 5 hit in October, two years later. Imagine that in the current charts?

Tuesday, March 1, 2016

...or does it just smell funny?

An intriguing essay on the demise of the album review: let's scan it for this week and read more closely for the next.