One (wo)man band, Molly Nilsson, is a very mysterious artisit. There is very little about her in the Internet. Trying to google her name( or maybe artistic nick nickname?) one will not find much. Only laconic mentions, obsolated tour dates. Nothing... even the myspace adress seems to be out-of-date. But such appearances can be misleading. The fact that she does not care about that does not mean that she is lazy or retired. YouTube is full of Molly Nilsson's music clips. She also gives concerts all time. The strange thing is why such a talented song writer, composer, musican an singer does not seek popularity and fame.
Recording under her own label DARK SKIES ASSOCIATION, Molly Nilsson makes her own music totally indepedent. And that feeling of intimacy, privacy and sincerity makes her first album 'These things take time', recorded in 2008, very special. Some may think that such synthetic art-pop is grandiose. Maybe that it is a little bit kitschy... But I can't imagine anyone saying that this album is commercial. Obviously it was recorded with the urge to express artist's feelings, emotions exacly as she wanted to do so. Involving anyone else in her musical project shows that Molly Nillson doesn't accept compromises. That makes her record completely authorial which doesn't happen very often these days. Born in Sweden, she is now living in Berlin which is a great mix. Sweden's music industry is recently very appreciated even out of Europe. Everyone who tries to be up to date with recent releases is familliar with such names as Lykke Li, El Perro del Mar or Little Dragon. The successes of these music projects is the outcome of great, soft and pleasent female vocals. If so, why did Molly Nilsson decide to make her music in Germany? Maybe she feels better to create in a land of vocalists that have much more in common with electro music, such as Barbara Morgenstern, Miss Kittin, Soffy O... For sure Molly Nilsson fills the gap between these two ways of expression.
'These things take time' starts with opening song ' The lonely' which sounds like an electro- cabaret. The three next songs are also pretty much in this style. While listening to 'The Diamond song', '800 days' or ' Wounds itch when the heal' it is possible to have a film frames from The Cabaret in front of an eyes. The fifth song 'Whiskey sour' is bit different. Only the lyrics and vocal matters, music is just a background. It is a beatiful track about loneliness, night big-city life. Molly sings: „I would have called you if I had some credit on my phone. I always feel so stupid in a bar all alone” with such a sad voice that listener can easily imagine a lonely women getting drunk at the bar while waiting for someone who had never showed up. The seventh track 'Won't somebody take me out tonight' is a great combination of lyrics, vocals and music. Every one of these ingrediants separately would not be so impressive but together they form an outstanding, simple ballad. 'Hey moon!' seems to be the saddest from the whole album, the tune sounds like lullaby but it's cleary about a girl who can't fall asleep because she is thinking of someone while looking at the moon...
Molly Nilsson's debut album shows that simple music may be very touching and extremely good if it is made with heart. Album 'These things take time' also makes me think that massive studio with a bunch of proffesionalists in it is not crucial when we are dealing with one talented person. But it also makes me sad that very often such gifted people have to choose between recording under their own conditions and popularity.